Ancient Asian American Filmmakers and God is D_ad

When ancient Asian American filmmaker first begun making film, they started making documentaries, documentary of politics, family history, and social history they are drawn to documentary, a lesser mainstream representation back then that they want to explore, something new, something unpopular this is in the 1960s. The ancient Asian American filmmakers where still getting to know who they are and what they are made to do, same as in the film God is D_ad. The character created by Abraham Lim, Tim and four others intended to go to Chicago for a toy convention and on the road going to Chicago they come to familiarize themselves and what theyre for.

Then came the full length films made by ancient Asian Americans, featured full length films about generation conflicting with the older generation, identity issues, and of course history with a little twist. Although they are not as mainstream as suppose to films made by Americans, they can still be considered being out there. There are people who fell in love with the ancient Asian American artistic creations in terms of films, like most in the present fell in love with ancient Asian American films.  
Then came Asian American film makers who are enjoying making films by not doing what is normal or the experimental film makers. Although it still did not make it out as much as they think it would, it was still an option most people didnt give films created by Asian American film makers because of racial issues, most of them cant get pass the fact that Asian Americans can make a beautiful and meaningful film as much as a pure breed can make.

There are numerous reasons why Asian American Film makers make films, some might be because they want to explore the scenes and show their artistic visions, some might want to play their strengths, and some might want to make film because of money, whatever the reason is Asian American film makers is making a scene and is being popular with the generations today, not only do most people want to watch there film, they also wait for future releases of the film from an Asian American Film maker, unlike the ancient Asian American Film maker who are being criticized not buy what they make but because of what their race is. The world has come a long way since then and so have the Asian American Filmmakers. The society has been paying tribute to Asian American film makers nowadays and they are not anymore boxed as documentaries although there is one stereo type that stick with the Asian American Filmmakers and that is making fight scenes, the Asian American Filmmakers exposes from their documentary to their experimental films how much they can entertain people with great fight scenes.

The ancient Asian American want to keep proving the whole world that you cant box them in one category, they want to live in a box free environment. They are free to choose whatever film they desire to make, like in the latest film of Abraham Lims film, God is D_ad. The characters in God is d_ad has dedicated most of their time going to Chicago and while in Chicago who they really are.

Play the game, choose your character, a quote from the film God is d_ad by Abraham is also be compared to an ancient Asian American filmmakers life. Before an ancient Asian American shows the whole world what they are about, they should first focus on what media they could use to show their artistry. Most of ancient Asian American chooses to use photography with subjects ranging from their origin to contemporary while others choose to use film. As the film God is d_ad has implied, when you play the game of life, they are free to choose what media it is you are going to use to show the world what lies beneath the surface, what they are born to do.

The person you are involved in the film God is d_ad can also be considered by a trait by the ancient Asian American filmmaker getting to know who you are in order to make a great film. An ancient Asian American filmmaker whos expertise is making genres related to love should not make films related to morbid image if that is not who they are. In order for them to make a great film, they should also consider who they are as a person and make a film based on their expertise.

The person others think you are is also a phrase use in the 2009 film God is d_ad. The ancient Asian Americans although considering what they want to do and what they are made to do, they also thought of what the world would like to watch or what the public expects in their films, but not in a way that it dictates who they are. The ancient Asian American film makers also consider what other people would think about their films, to be a little bit more main stream, but not taking away who they are. The ancient Asian American filmmakers usually involve their origin in ways that can also have what the public wants to see in a movie they have adapted ways to manipulate their work that they can be proud of and show their artistry while also thinking what the publics wants to see.

The person you aspire to be also a phrase from the movie God is d_ad that the Asian American filmmakers from the ancient time can co-relate too. The ancient Asian Americans filmmakers has indeed inspired for greater things that is why the current Asian American filmmakers are very much welcomed in the community. They wanted to be more than they are back they and with that, they have made the present situations more suitable for those Asian Americans who want to make films. The world is no longer the same, every person who has chosen their character or their form of media and who they want to be is welcome to try and make it out in the open. No racism, no nonsense, they can play the game and choose their own character, just like what happened in Abraham Lims movie God is D_ad.

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